Singapore is a small nation, even smaller than most big cities around the world. With limited land and resources, there’s a fine line for us to thread: do we choose to preserve some cultural, historical and iconic building, or we advance by demolishing and rebuild for a something more modern and functional.
It has always been a heated debate between government officials as well as general public. For most, there’s nostalgic memories and emotional attachment to these building. For some, there’s cultural value displayed through the design and construction of these buildings. For others, they are just an eye sore or redundant piece of concrete that are taking up valuable space for better utilisation.
What’s my take on this? Well, honestly it is hard to give a concrete answer. On one hand, I understand the limitation we have and the reason why old needs to make way for new; on the other hand, I’m sort of a nostalgic person who likes things that show ages. Perhaps the perfect middle ground would be to redevelop and repurpose the old building to serve new function, like the National Gallery Singapore which was born from former Supreme Court Building and City Hall. Unfortunately, things were never that easy and straight forward.
Rochor CentreDakota CrescentCommonwealth Drive
The debate and dilemma will probably continue for the years to come. My take is to cherish what we have while it lasts. Take picture of them, weave memories with them. And in the future, take a pause and look back at where we came from. These pictures and memories will surely warm our heart and fuel us to the days ahead. Till then.
Initially I thought I would write a book out of it, but in the end I decided to put together this webpage-styled storyboard instead. This is a summary of thoughts I have from my previous trip to Taiwan, and yes, it’s the one where I went and attended the Pride Parade in Taipei back in October 2018. It took me quite some time to get everything together as I was busy with both work and study earlier on. But now I finally made the effort and squeezed out some time to get it done.
Sorry that the whole thoughts and story were written in Chinese. As for most of my stories or personal thoughts, I can converse myself better in this language as compared to English. Anyway, as of writing, I’ll be heading back to Taipei and spending my time exploring the city next week. I had been to a few places in Taiwan previously, so this time around I will explore some additional locations and hopefully recharge myself for the days to come. Till then, thank you for stopping by and hope you enjoy reading my thoughts on LGBT.
Noun / Extreme fear of or aversion to the use of plastic.
This was the title of the project, the theme of the exhibition. Sponsored by High Commission of Canada and City Developments Limited, Canadian photographer Benjamin Von Wong teamed up with Laura Francois and Imaginator Studio to create this art installation in conjunction of Singapore’s Year Toward Zero Waste.
Benjamin Von Wong with Plastikophobia Art Installation
I got to know about Benjamin’s work few years back, I remembered the first image that caught my attention was “Salvation”, the picture with a tattooed man breathing fire out of his mouth. Since then, I started to follow his work. The storm chasing series was refreshing to me, and then followed by a series of environment related project, such as Shark Shepherd, Mad Max meets Trump’s America, Mermaids Hate Plastic, Rethink Recycle Revive, Truckload of Plastics, and most recently, Strawpocalypse.
Globally, less than 10% of plastics are recycled.
Next, Plastikophobia. When I found out that Benjamin will be in Singapore to carry out his next project and requires volunteers to help out, I signed myself up to be one of the volunteers in bringing this project to life. After a few communications and simple briefing sessions through Facebook group, the storyboard was ready and it’s time to kickstart. The whole project was divided into a few phases: plastic cups collection, plastic cups cleaning, structure and wooden frame fabrication, installation of plastic cups on the structure and installation of lightings. I was involved in the plastic cups cleaning and installation phase for most. It has been an intense work and race against the time to ensure everything will be ready for the launch on 7 March 2019.
Cup collections started earlier by other volunteers, searching through food courts and eateries. We managed to get some help from local authorities and food courts management. There were of course push-backs from people to assist in providing or allowing us to collect the cups. Nevertheless, we managed to get all the cups we needed to build the installation. Altogether we have collected 18,000 cups from 26 different food courts.
Next, we brought the dirty cups back to workshop at Bukit Batok and had them cleaned and rinsed. Meanwhile, Benjamin and Joshua Goh from Imaginator Studio worked on the final design of the installation. Cups were all cleaned in two days after the massive effort by all volunteers.
I wasn’t involved in the next phase where the design was finalised and wooden frames were constructed to house the cups. The general concept was to create a cavern that will lead you in and give you a sense of impact that you are being crushed by the plastic cups. Hence, structures were made in various size and width in order to provide the sense of compression.
Once the structures were done, cups started to be glued on top of it. When the base layer was done, the structures were transported to Sustainable Singapore Gallery at Marina Barrage for final installation and completion.
During this phase, I was managed to join back the team and continued on to complete the whole art installation. This includes sticking additional layers of cups on top of the base layer to create volume, routing the LED lights and some final adjustment to the whole art installation. After much sweat, blood and tears, finally the installation was completed on 3 March 2019 and the promo shoot was able to be scheduled and done on the next day. The official opening was held on 7 March 2019, hence there were a few days to run some final checks on the lightings and structures.
There were a lot of ups and downs throughout the whole span of project. There were times when we were off schedule and felt panic, there were times when we had so much fun chatting and discussing on the project concept, and there were times when things just went wrong and everyone started to pull whatever resources they have in order to get things moving again. It’s not an easy task to be commissioned for a photography and art assignment like this, and Benjamin has managed to keep his coolness and delivered the final result.
Over 1,500 cups were used in a day at a food court. More than half of them were not even take-aways.
That’s the statistic. Personally I tried not to order drinks outside, as I know most of the time they will serve you with single-use plastic cups. Most of the time I will just order hot drinks instead. Hence, this project really resonates with me and I really hope that the message we are trying to bring across is clear. One of the struggle we talked about during the project was that “educational” exhibition will be too boring, that’s the reason why Benjamin is fusing art into his message. However, we do know that it might dilute the true message behind.
“It’s always a struggle to strike the balance, and sadly there isn’t an answer to that at the moment.” Benjamin shared his thought during our final meet up which celebrates the completion of the project. But that doesn’t stop him from trying and creating more arts and photographs. Hopefully, one day people will understand the effort he has put in and appreciate it. “When you really think about it, it’s funny how we can turn such deadly things into something so beautiful. How ironic it is. Hopefully viewers can understand the message behind and try to change their behaviour little by little.”
Diving in the plastic cavern… (C) Benjamin Von Wong
It was a really fascinating experience for me to be part of this project, and I do learned a lot throughout the process. I feel honoured to be able to be part of the volunteers and made this happened. Hopefully this project will be able to raise awareness on the issues of over reliance on single-use plastic in our current world. If you want to know more about this project and take a look at the art installation itself, feel free to make your way to Sustainable Singapore Gallery, Marina Barrage, Singapore. I hope you will enjoy the Plastikophobia installation together with exhibition of other works from Benjamin within the gallery. The exhibition will run from 7 March 2019 until 18 April 2019, admission is free.
Remarks: Some photos are not taken by me and was shared through Facebook and Benjamin’s website by other volunteers. More photos can be found from the album below. Kindly note that photos are not for commercial use and subject to Terms of Use by vonwong.com.
As mentioned earlier, I had the opportunity to travel to Vietnam for business purpose, and I was able to squeeze out some free time to travel around Hanoi and it’s nearby provinces during my short stay there in April. Since then, I had compiled some of the pictures and my writings into this book. It’s more like a sharing of my thoughts, feelings and emotions while travelling to Vietnam for the very first time.
And again, I would like to apologize that this book was written in Chinese instead of English. As with my other personal projects, I’m more comfortable to write in Chinese, as I felt that I can express myself better through this language. For those who are interested to check it out, please feel free to click on the link here to download and read on your own leisure. Hope you enjoy this book of mine. Do drop me a comment if there’s any.
Just completed a small project recently. Nothing major, just spending some time playing with my camera while I am free and home alone. Did some table top pictures for some of the books that I am reading lately (or going to read soon, hopefully), and adding a little twist to the shoot by introducing some extra elements that juxtapose or compliment the books’ title.
It was a fun little project, and I’ll probably keep adding more pictures to it as my book collections keep growing day after day. All pictures were taken with the Fujifilm X100F with the TCL-X100 conversion lens. First time toying with this and still exploring it’s possibilities. Till then, hope you enjoy the pictures and the books, let me know if you have any questions and I will be glad to help.
funny bunny photography 